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The plug-in is perfect for low-budget filmmakers and small production houses. It allows After Effect to import, animate and composite 3D objects. Their most popular plug-in is Element 3D V2 ($200). In fact, when I was working at a major VFX house in southern California, every compositor I knew learned from Video Copilot's tutorials. Virtually every After Effects user is familiar with Video Copilot and its founder Andrew Kramer. Knoll Light Factory is easily one of the most popular and powerful lens flare plug-ins available. Knoll Light Factory was developed by Visual Effects giant Industrial Light and Magic's Chief Creative officer John Knoll, who also happened to co-create a little program called Photoshop. The Effects Suite is a great addition to your After Effects arsenal with terrific compositing tools, water simulation, distortion tools and text animation, but most famous is their lens flare plug-in called Knoll Light Factory. Red Giant also has a suite designed for generalized effects work appropriately called the Effects Suite 11 ($500). While it's not a replacement for high-end color correction programs like Blackmagic Design’s Davinci Resolve, it’s still a very powerful tool to have. Also bundled in the suite is Colorista III, a professional colorection tool that gives editors and colorists the ability to easily control color. Magic Bullet Looks, the original and most popular tool in the suite, allows the user to easily drop a look onto some footage for a quick color grade. Magic Bullet Suite comes with seven different toolsets all focused on color correction, grading and noise removal. Originally starting as a way to add a quick stylized look to footage, in many ways it helped shape a very stylized and processed look that has since become popular. Hit shows such as “Top Gear UK” graded their show in Magic Bullet in a very over-stylized fashion. Magic Bullet has been a powerful and easy color correction and grading tool since 2008. We reviewed this toolset back in June of 2015 and declared it a game changer. This color grading suite has become a behemoth in the industry. Possibly just as popular as Trapcode is Red Giant’s Magic Bullet Suite 12 ($800). The most popular of these plug-ins is Trapcode Particular, a much more advanced particle generator than the stock generators in After Effects. The Suite comes with 11 separate plug-ins, which can also be purchased individually and range in price from $99 to $399. These are very powerful tools that produce effects many clients have come to expect. We reviewed the current version, Trapcode Suite 13 in our May 2016 issue, calling it a standard for virtually all motion graphics artists. The most powerful set of tools Red Giant offers is the Trapcode Suite 13 ($1,000). Their tools range from high-end motion graphics plug-ins to color correction and grading, keying, syncing plus a plethora of other effects. Red Giant is one of industry's biggest names in post-production. Red Giant Magic Bullet Suite 12 Red Giant This guide is in no way a comprehensive encyclopedia of the hundreds of available tools instead, it’s a glimpse into the beautiful world of plug-ins. Since many of these companies produce plug-ins across many platforms and purposes, we will sort this guide by company rather than attack this list by purpose or platform. If you're looking at kicking up your post-production game, plug-ins are a great place to start.īecause of the diversity of plug-ins available for all post-production programs, there are many ways we can organize this buyer's guide. In fact, almost everyone in the industry is using a variety of plug-ins to make their work competitive or their lives easier. There’s no perfect video editing or effects program even tried and true industry standards like After Effects could be better. Read my fiction writing here and follow/friend me on all those social media things. More info: Thousands of stems and multitrack files of classic and new songs are now on the Internet, which means that you can download your favourite song as individual tracks, import them into a DAW (Pro Tools/Logic Pro/Cubase/Ableton Live/Sonar/Audacity/Reaper etc.) and separate all the elements from each other vocals, guitar, synths, drums, bass etc. If you have a trench coat, then wear it with all the noir inflections that Memphis inspires. Look out into the night from whatever it is you call home. In fact, I would tell you to get yourself a whiskey you’re not going to sleep tonight. He never states who the eventual champion is, but I’m starting to think misleading ourselves, questioning ourselves and feeling lost are major contenders for the role. The end comes abruptly “without conclusion” in the “Ballad of the Eventual Champion”. He’s “as far from life as one can go”.Īnother minute or so of respite with the comparatively bright instrumental “Tigerbaby” and then we’re slammed back down again into industrial toiling and sad reflections. Panic, paranoia and remorse are sketched into every industrial noise, every melodic note. In the slow burner “Call it a Day” he picks his sores open again, digs at his wounds. Then the doubt, the “reservations” seep back in. The singer gets almost two minutes of respite when he’s cut “Loose”. I also take part in his coming to terms with the situation-when the last few notes flicker out, I feel him letting go of the struggle, and I also let go. I accept his complicity in the decimation of everything in his wake. But when Jack Alberson asserts that he “made this happen” in the opener “The Situation”, I feel no other course except to believe him. I know…it’s weird that a song can so accurately convey a sensation. That isn’t sadness or regret swirling around you it’s a song. |
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